Categories
Film

Review: Parallel Mothers

If there’s such a thing as an Almodóvarian logic, then it’s best exemplified by the sudden and more than serendipitous reappearance by Leonardo Sbaraglia’s character in Pain and Glory (2019), a former lover of Antonio Banderas’s protagonist, who happens to see a one-man play in which their story is reframed, but not enough for the […]