There are so many stories already: On Memoria

Paying attention to the films of Apichatpong Weerasethakul always reveals something deeply immodest at their cores, despite their placable surfaces, beautiful visual arrangements and soundscapes. Tropical Malady (2004), for instance, begins as a coy, tentative romance, before a destabilising reset, which recasts the young men at its centre as figures in an allegorical tale of […]