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Film

Is this lines, or is this real?: On Licorice Pizza

Ever since relinquishing his desire to make self-assertively bravura, high-momentum Masterpiece Cinema, Paul Thomas Anderson has settled into a unique groove within film culture: that of the maturing wonderkid, still drawn to the formal flourishes that made his name, but employing these now to concrete cinematic designs. Those designs are what marks Anderson’s run from […]