Faces Places (Agnès Varda and JR, 2018)

Originally posted here. “Chance has always been my best assistant”, the inimitable Agnès Varda intones towards the beginning of her newest film essay, Faces Places. Varda’s career is a gorgeous synthesis of innovative fiction films (Cléo From 5 to 7 [1961], Le Bonheur [1965], Vagabond [1984]) and even more inventive documentaries (Daguerréotypes [1975], Murs murs [1981], The Gleaners and I [2000], and, very much the best […]