Film Friday Essay

On “Uncut Gems.”

That Uncut Gems is first-person, present-tense, active-voice cinema shouldn’t be a surprise to anyone who’s seen Heaven Knows What or Good Time, the Safdie brothers’ last two films: but what should be surprising, or at least is to me, is the plantiveness of their newest. It’s most obviously detectable in the score, by Daniel Lopatin, […]