A Dispatch from out west: The 2019 Glasgow Film Festival

Both the opening and closing films of this year’s Glasgow Film Festival can be described as “coming-of-age” films: Jonah Hill’s Mid90s, and Brian Welsh’s Beats; but it may be more accurate to label them films about being inducted into new social milieus. In the far superior Beats, this concerns entry into the put-upon Scottish rave-scene. […]